Influence of Lord Byron


Byron first introduced this type of character in his epic poem Childe Harold’s Pilgrimage, published from 1812 – 1818, and continued to depict such individuals throughout his later work. We know that Bronte was much influenced by Byron’s poetry; indeed, Jane Eyre, published in 1847, even makes reference to one of his works, The Corsair.

Qualities of the Byronic Hero

So what exactly makes a hero Byronic? First of all, he is prone to moodiness. Rochester is often snappy or terse with Jane, but is also capable of shows of great affection and physical tenderness: “He kissed me repeatedly” (chapter 23). This passionate side to the Byronic hero’s nature means that he may have strayed sexually in the past, and slept with a number of women. This certainly seems true of Rochester: young Adele is “the daughter of a French opera-dancer, Céline Varens, towards whom he had once cherished what he called a ‘grande passion’” (chapter 15).

A Dark Secret

As well as these indiscretions, Rochester’s past also hides a much darker secret: the existence of a mad wife he married purely for her looks, and who now lives in the attic of Thornfield. The Byronic hero is usually widely travelled, and has often got into trouble whilst on one of these journeys: again, this reflects Rochester’s experience in Jamaica. Much as we may criticise Rochester for keeping such a secret, he does undeniably fall genuinely in love with Jane, demonstrating another Byronic trait: complete disregard for social rank. Rochester cares nothing of what people will think when he marries a former governess: “‘You—poor and obscure, and small and plain as you are—I entreat to accept me as a husband’” (chapter 23).


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